Friday, July 18, 2008

How important was architecture in ‘The Matrix’? Why was the room Neo and Trinity took the guns from, all white? Why was it floorless, windowless, wall-less and roof-less? What is that kind of architecture trying to evoke? If you wanted to sketch that room, how would you? There are no planes, no light and thus no shadow; no furniture, flooring, or roof; no tree, grass or sky. And yet, it is a space. It evokes emotion; it occupies virtual space- it exists in the mind, but it exists. How would you draw it?



It was a moment; and as a moment I shall remember it- it is amusing how we recall times we live in real-time as snap shots; photographs, almost. That photo is surreal, as are all we tend to remember- light flooding in from behind her, and bringing along with it a huge gust of wind- I will remember it as a muted detail- I do not recall what we were giggling about; only that we were giggling...“We always romanticize the past and dramatize the future, but never express the present”, Sanjay Mohe told me- it is a mighty detail that goes unnoticed...Every single moment, every photograph, every conversation in Mindspace has been precious to me- it was the pre-decided romanticism of the past that the future is going to be.



It is not everyday that one gets to watch Sanjay Mohe sketching- and when I did, I wrote this-
I see the big, thick lines covering the site; fast and accurate in thought, they look down into the site...Once the lines rest, the pondering begins- there are views, details and scribbles all in company of the big lines- it is almost as if the small ones scatter around the source- the sheet is rich, heavy, and precious. And this is only the beginning.



I have an abnormally large nose. I think it could easily pass off as a batata-wada. Also, the centreline of my nose and that of my face do not coincide- much like the difference between the magnetic and rotating axes of the earth- manufacturing defects, they are. :)